c.v.

1995 graduation as composer (diploma)

1988-95 studies at the music college of cologne. beginning with music theory, from 1989 on composition with johannes fritsch and piano with erwin kuckertz

1984-88 studies at the university of education, weingarten: music, history, physics. graduation with 1. staatsexamen in 1988. (middle-school teacher)

1983-84 studies at the university of tübingen: egyptology, ancient oriental studies, religious studies

living in cologne as freelance composer, performer and musicteacher
honours & awards

2004 artist in residence by kulturfonds foundation (berlin) at künstlerhaus schloß wiepersdorf (feb.-apr.)

2003 residency and exhibition in tokyo on invitation by "puddles" - japanese / european artist-exchange-program (sept.)

2002 artist in residence at villa aurora in los angeles/california on a grant by the german foreign secretary (mar. - june)

2000 residency at the international artists symposion lindabrunn/austria (aug.)

1998 bernd-alois-zimmermann prize by the city of cologne

1993 residency at the foundation "kammeroper schloss rheinsberg" for the collaborative composition project "rheinsberg - ein bilderbuch fuer verliebte" after a text by kurt tucholsky. (director: siegfried matthus)

1992 residency by the jeunesses musicales for a work on music/architecture/theater in provins/france. (artistic director: paul mefano)
activities

together with bettina wenzel he runs the duo &2 an ongoing series of experiments in dance/voice/music/video

member of the cologne society for contemporary music (kgnm e.v.) (boardmember from 1996 - 2002)

member of the board of the ensemble krahnenbaum company koeln

together with anke eberwein and bernhard koenig foundation of the buero fuer konzertpaedagogik (bureau for concert-pedagogical activities)

organisation of concerts, performances and intermedia-events
giving workshops and trainings for teachers and pupils of every age for contemporary / experimental music and improvisation
he has collaborated with artists like
tomomi adachi, sam ashley, peter behrendsen, jens brand, michael duch, annegret heinl, lasse morhaug, ortrud kegel, thomas lehn, manuel mota, harald muenz, tisha mukarji, joker nies, josef novotny, joscha oetz, marian palla, ben patterson, zdenek plachy, allan purvess, ernesto rodriguez, jan steklík, david subik, chao-ming tung, michael vorfeld, andreas wagner, bettina wenzel, joachim zoepf.
his works have been performed by (a.o.)
trio e-vent, (duo)2 archeopteryx, alter ego ensemble, apartment house, black jackets company, krahnenbaum company koeln, mengano quartett, mutare musiktheater ensemble, beth griffith, lucia mense, seth josel, holger peters.
recordings were made / played by
deutschlandfunk, wdr, radio de la universita cattolica de santiago de chile, kxlu (los angeles), kpfa (berkely).
concerts / performances
a.o. at sklenena louka, brno (cz); rhiz, vienna, experimental intermedia & tonic, new york; mex, dortmund; de overslag, eindhoven; metronom, barcelona; at the festivals audio art, krakow (pl); next wave, prag; festival der ungewoehnlichen musik & kryptonale, berlin; identa 99 & experimentelle musik 99 muenchen; castle of imagination, gdansk (pl), festival of not so good music, nove zamky (sk); spritzenhaus hamburg; instants chavirés, paris; cal-arts, los angeles; koeln...

(sound) installations
a.o. at deutzer bruecke, koeln; moltkerei werkstatt, koeln; galerie rachel haferkamp, koeln; kunstverein baden/wien; studio five beekman, new york; symposion lindabrunn (at); galeria jána koniarka, trnava (sk); maerzmusik, berlin; ccnoa, brussels, niederoesterreichisches kunstzentrum, st. poelten (at)...

publications

2005
- remembering the composer leni alexander (1924-2005): musiktexte 107

- märchen von der musik als abwesenheit von klang (fairytale about music made from the absence of sound): kunstmusik 5

2004
- die koelner prometeo-akademie (the prometeo academy in cologne): programbook-text for the triennale-festival, cologne

2003
- response 2003 „musik und macht“ (music and political power) programbook-text for the cologne philharmonic hall

2002
- arbeit / schönheit (labor) (labour / beauty (laboratorium)): catalogue-text for the festival "maerzmusik"

anke eberwein /hans w. koch / bernhard koenig:
- "komponistinnen und komponisten als konzertpädagogen" (s. 209-214) und
- "fünf thesen zur konzertpädagogik" (s. 255 - 266): stiller, barbara/wimmer constanze/schneider, ernst klaus (hrsg.): spielräume musikvermittlung, regensburg 2002
1999
- g. scelsi "pranam II" for 9 instruments: musiktexte 81/82

- zwischen lustgewinn und lerneffekt (between lust and learning) bernhard koenig/hans w.koch: positionen 39, 1999
1993
- notation and emotion (on the composition techniques in jani christous anaparastasis I): im dunkeln singen, papers of the jani christou-symposium, hamburg 1993 (ed. wolke, hofheim 93)
pedagogical activities (selection)


96-03
leading different response-projects in frankfurt/main for the hr-radio and in koeln for the musiktriennale resp. the koelnmusik gmbh
98
ohrlympiade for the donaueschinger musiktage (together with b. koenig & anke eberwein)
00
two experimental music-workshops for pupils for the atlantisches festival of the federal country of rheinland-pfalz
01
workshop for young composers about electronic and experimental music for jeunesses musicales germany


home - performances - installations - duo - c.v.