chronological
list of workstop
89 90 91
92 93 94
95 96 97
98 99 00
01 02 03
04 05 06 07
present, tense
for soloinstrument (fixied pitches) and live-electronic
computergenerated score of variable duration
rocket_science_rag
duo for extended voice , live-electronic and playback
collaborative composition with bettina wenzel
10´
for suspended vibrator und drum
soundinstallation
commisioned by satelite-space gallery, university of texas, san antonio
time hits in various lines
musictheatre for 2 epee-fencers, referee, flute, percussion, piano and live-electronic
15´
comissioned by philharmonie luxemburg
formula2
installation/performance for toy racing track, 2 wireless spy-cams, videomonitors , loudspeakers and computerassisted videotracking
collaboration with jens brand
comissioned by qo2-werkhuis, brussels
analytical spatialisation of equal-tempered music
soundinstallation
commisioned by voorkammer, lier
bridgeintenminutespdf
electronic music
contribution to the cd crosscut edition, 20 years "edition zeitgenössische musik" of deutscher musikrat at wergo
1´
bad_lausick / selbenbach
2 elektroacoustic compositions
7´ each
commisioned by the festival "was hoeren wir?" at denkmalschmiede hoefgen
(curated by stefan fricke)
piano - frames (empirical plositivism)
for improvising pianist and interactive video
collaborative composition with simon nabatov
45´
commisioned by the festival "explosiv - exklusiv" hochdorf/schweiz
feedbackdance IV
for 2 players moving with wireless microphones and autonomous live-electronic system
7´
for tenor-recorder, el. guitar & live-electronic
17´
...two ways of not listening to...
video & sound
1´38´´
comissioned by hermes (sk) for the exhibition "EAR"
strichzeichnung
for 2 pianos, one quartertone apart
10´
comissioned by deborah richards
short opera-performance for a moderator, mixed choir + conductor + audience
7´30´´
luftveraenderung
for flute, oboe, clarinet & live-electronic
15´
praetorium praeteritum
audiovisual installation for the praetorium (historic city-hall from roman times) in cologne
comissioned by museumsnacht, cologne
for tenor-recorder, violin & live-electronic
18´
site-specific audioinstallation/intervention in public space
comissioned by liget gallery, budapest
cut-off-frequencies
for violin & live-electronic
30´´
comissioned by microscores-festival, calarts
alte liebe
for flute, clarinet, violin, vcello, piano & live-electronic
15´
portrait of a virus seen as a swan (virus-alert)
generative computermusic, using email-viruses as source-material
20´
arche noah vom rhein
audiovisual installations, together with visual artists annegret heinl (de)
ben patterson (us/de), jan steklik & marian palla (cz)
kanon koeln
music for the carillon in the city-hall tower
1´30´´
comissioned by the festival klangraum /raumklang, cologne
for apple-powerbook and its built-in mic.-loudspeaker treated as a bandoneon
live-electronic
8´
23 préludes à rien
dance / music / video performances, together with vocal artist/dancer
bettina wenzel (de)
60´
rheinwaerts
68-hour nonstop music staffette along the rhine from bonn to duisburg
for several hundred participant of all ages.
together with composer bernhard koenig (de)
3 d
two voices
sound & videosculpture, together with sculptor sheperd ndudzo (botswana)
comissioned by "among others 05", kuenstlerhaus dortmund
wortschatz
prerecorded favorite words of several international poets & live-electronic
20´
comissioned by kuenstlerhaus schloss wiepersdorf
for two badimtonplayers & live-electronic
20´
feedbackdance IV
for two players with microphones & live-electronic
12´
8-channel tape-music
8´46´´
espace donné [los angeles]
the city as a musical instrument
for 10 improvising musicians equipped with cellphones and moving through l.a.
together with composer andreas wagner (de)
200´
comissioned by villa aurora, los angeles
welcome noise
sitespecific audiovisual installation for an old classroom in tokyo
comissioned by "puddles" artist-exchange-program
feedbackdance III
for slowly moving microphone & live-electronic
12´
artituren
performance together with visual artist annegret heinl (de) and vocal artist/dancer
bettina wenzel (de)
30´
corrida des sons
improvisationconcept for voice & live-electronic, together with vocal artist/dancer
bettina wenzel (de)
30´
feedbackdance II
for hands moving around a microphone & live-electronic
10´
spacescan
frequency-sweep through a given space to detect loose parts therein and then playing on that.
live-electronic
25´
multiple fallouts
dance / music / video performances, together with vocal artist/dancer
bettina wenzel (de)
50´
comissioned by "grenzgaenger - experiments in dance & music"
licht & luft
soundinstallation with two light-controlled hairdryers
comissioned by "das alchemistische werk" & noedok, st. poelten (at)
loreley & andere katastrophen
contemporary music cabaret, together with flutist ortrud kegel (de) & composer chao-ming tung (de)
50´
je pense a toi
dance / music performance, together with vocal artist/dancer bettina wenzel (de)
20´
passage des anges
opera in one act, based on the diarys of dr. john dee (london/prague c.1560)
4 vocal performers, video & live-electronic
30´
comissioned by "pounding on the iron curtain", stavovske-divadlo, prague
shanti
soundinstallation with inflatable pool, toy-boat, 4 hairdryers, recordings of sailors songs & electronic circuitry
comissioned by "earwitness", ccnoa-gallery, brussels
strang
for harp, guit., cello & live-electronic
10´
aria (first incantation)
for very high voice & live-electronic
8´
arbeit/schoenheit (labor)
interactive audio-visual installation for a staircase
comissioned by the festival maerzmusik, berlin
not yet
computer solo and audience
indetermined duration
fallout
dance / music performance, together with vocal artist/dancer bettina wenzel (de)
15´
wandbehang
8-channel soundinstallation
electroviola
for bowed apple-powerbook and phyiscal-modelling of a viola via max/msp
10´
flute tube lute tune use 50 tuba tubing used true tubes 55 ukulele musical bugle
concert / installation / performance inside the deutzer bruecke, cologne
together with composer/flutist barbara held (es)
45´
comissioned by the festival bcn-cgn, cologne
leerlauf
soundinstallation: amplified laser-sledge noise of a randomly playing discman
comissioned by kunstverein baden/wien
from "sechzig", part V: "landschaft mit computerleichnam"
for alto-flute, alto-saxophone and inside-computer live-electronic
25´
dazwischer
for el. guitar & live-electronic
15´
comissioned by black jackets company, brussels
territoires
dance / music / video performances, together with vocal artist/dancer
bettina wenzel (de)
60´
rendez-vous
soundinstallation: coathanger, two hairdryers with rubber-gloves
digitizer
for tenor-recorder & autonomous live-electronicsystem
15´
aus triacea
soundinstallation: wireless loudspeakers, microphone, sun-propelled ventilator
comissioned by kunstverein baden/wien
der nächste klang ist nur einen steinwurf weit entfernt
landart-soundinstallation
comissioned by symposium lindabrunn
praeambulum super felix namque
for electronically equipped lithophone
15´
comissioned by percussionist felix perret (ch)
spongeworks
for metal-wool and micromodular
20´
[alias:sound]
soundinstallation: large papertube, loudspeaker & microphone, multi-effects box
comissioned by studio 5 beekman, new york
espace donné [barcelona]
for 2 musicians with acoustical instruments & live-electronics
together with composer andreas wagner (de)
60´
comissioned by metronom, barcelona
tanz / musik
interacive performance-concept for one dancer and one musician
together with vocal artist/dancer bettina wenzel (de)
blasmusik
soundinstallation: two hairdryers, score of beethovens 9th symphony
comissioned by kunstverein baden/wien
katalogos
for string quintet
15´
comissioned by the festival "heilige zahlen", cologne
zeitmaschine vor-/zurueck
interactive soundinstallation
kammeressen
performance about the musical qualiies of the preparation of food, eating and washing the dishes (with audience participation)
30´
ist musik eine sprache, die jeder versteht?
ist sprache eine musik, die jeder versteht?
sience-speak and free improvised music in a structured dialogue
40´
hochzeitsflug
performance with live-electronic sounds in a wide sterephonic pamorama
15´
espace donné [new york]
for 2 musicians with acoustical instruments & live-electronics
together with composer andreas wagner (de)
60´
comissioned by experimental intermedia, new york
espace donné [lechenich]
for 2 musicians with acoustical instruments & live-electronics
together with composer andreas wagner (de)
60´
comissioned by katholisches bildungswerk, erftstadt
autoskultation
two performers with live-electroncis exploring the sonic possibilities of a car
20´
abwarten
performance for two with three tables and electronic devices
together with composer harald muenz (de/uk)
11´30´´
erinnernvergessen
concert-installation for a photo-exhibition of pictures showing the actual state of nazi-concentration camps (pictures by reinhard matz)
together with composer andreas wagner (de)
comissioned by katholisches bildungswerk, erftstadt
80´
eustach
small microphone inside the mouth, amplified workings of the eustachian tube.
15´
tafelmusik I
interactive soundinstallation about food preparation, consumption and dishwashing
together with composer harald muenz (de/uk)
uralte wasser
recording of a song by hugo wolf, boiling water, live-electronic
15´
comissioned by koeln salon e.v.
orgel/topographie
for one performer inside a church organ with live-electronic, a second performer at the keyboard
20´
shiftlessness / schiebeproben
music-theatre about a text by getrude stein for soprano, clarinet and 2 live- electronic-performers
together with composer harald muenz (de/uk)
60´
musik + salon =
performance for two synthesizer-players
together with composer harald muenz (de/uk)
50´
comissioned by the festival "musik in den haeusern der stadt"
kollektiv I-IV
collaborative compositionproject for flute, double-bass & piano
together with harald muenz (de/uk), andreas wagner (de), chao-ming tung (de)
variable durations
aus "sechzig" teil IV: paradiso infernale
for an exhibition of s. dalis xylographies after the "divina commedia" by dante
for two speakers (male/female), tenorsaxophone, organ, synthesizer and live- electronic
25´
comissioned by katholisches bildungswerk, erftstadt
[x∞ = op (x∞)]2
soundinstallation: large papertube, 2 tapedecks and 2 interfering feedbacksystem in space
comissioned by BrueckenMusik, cologne
computermusic I <exploded view>
for inside-computer & live-electronic
20´
glueckspiel
for vlcello four hands and videoinstallation
20´
aus "sechzig" teil II: m.a.w.
for carinet, french horn, violin, vlcello & pno
20´
aus "sechzig" teil I: leerstuecke
for clarinet, trumpet, d-bass & live-electronic
20´
kluusch
for flute, vlcello, prepared piano and tape
12´
music for the theatreplay "sylvia plath -panic dreams" (c. nicopoulos)
tape-music
40´
loses ende
for solo viola da gamba (tenor)
15´
sing/spiel
for sopranosaxophone, tuba and hidden playbackdevices
9´
musik fuer praeparierte und offene klaenge
for flute, viola, harmonium and large glass-bowls
together with composer andreas wagner (de)
24´
comissioned by katholisches bildungswerk, erftstadt
solo for viola
5´
"un-"
for 3 violoncelli, after a quotation from cancellor helmut kohl
15´
variationen zum einschlafen
for soprano, flute, clarinet, vlcello, harpsichord & live-electronic
10´
comissioned by stiftung kammeroper schloss rheinsberg
ikone: franz schubert: mein traum (1822)
for a speaking female celloplayer
10´
uhren ≈ zeiten
collaborative performance together with franz van der grinten (live-video)
and michael feuchtmair (interative scuplture)
15´
litanei für j.c. for 2 - 24! melodic instruments
score-generating set of rules
undetermined duration
x∞ = op (x∞)
for two tape-machines, microphone, loudspeaker and a papertube
based on a quotation from heinz v. foerster
15´
musiques pour la tour césar
for flute, hoboe, clarinet, trumpet, french horn, trombone
also performing scenic actions
25´
comissioned by "groupe emefa" for a workshop about music, architecture and scenography in provins, france
how to make landlers
musictheatre after music by franz schubert
for hoboe, french horn, vlcello, percussion, tape & live-electronic
50´
comissioned by the mutare musiktheater ensemble, frankfurt/main
ed è subito sera
trio for voice, vlcello, piano and scenic actions performed by the musicians
after a poem by salvatore quasimodo
13´
quintet
for bassclarinet, french horn, vibraphone, viola da gamba, grand piano
15´
solo for bassoon II
5´
violinduos I & II
5´+ 8´
alba
for tenor-recorder
solo for bassoon I
8´
for wind-instruments
after "capriccio cromatico con ligature al contrario" by girolamo frescobaldi
for flute, hoboe, clarinet, bassoon, ten. saxophon, tumpet, french horn, trombone
8´